• Antique Burmese Teak Monastic Attendants or Guardian Angels, 19th century: two intricately carved standing figures with elaborate headdresses and robes on black bases, featuring a weathered, antique finish. Brand unknown.
  • Two tall 19th-century antique Burmese teak monastic attendants or guardian angels stand side by side on black bases, each detailed with ornate robes and crowns, displayed against a plain background and wooden floor.
  • These Antique Burmese Teak Monastic Attendants or Guardian Angels (c. 19th Century) stand side by side, each robed with hands pressed together, detailed faces, and tall headdresses.
  • Pair of 19th-century antique Burmese teak monastic attendants or guardian angels stand side by side on black bases, displayed on a wooden floor against a plain light-colored wall.
  • An Antique Burmese Teak Monastic Attendant or Guardian Angel from the 19th century, with nails embedded, black painted eyes, and a cracked face, stands against a plain white background. Brand unknown.
  • Antique Burmese Teak Monastic Attendant or Guardian Angel, 19th c., with ornate headdress, detailed necklace, weathered finish, cracks, and dark facial accents—reminiscent of Buddhist statues—brand unknown.
  • A young person in a brown T-shirt and black shorts stands indoors beside two Antique Burmese Teak Monastic Attendants or Guardian Angels (19th century), each intricately carved and set on a black base.
  • Two Antique Burmese Teak Monastic Attendants or Guardian Angels (c. 19th Century) with ornate headdresses stand side by side in a room with cream walls and wooden flooring, framed by an antique cabinet in the background.
  • An Antique Burmese Teak Monastic Attendant or Guardian Angel (c. 19th Century) with intricate swirling patterns stands on a black base by a cream wall, backed by a dark wooden cabinet on a wooden floor. Brand: Unknown.
  • An Antique Burmese Teak Monastic Attendants or Guardian Angels sculpture (19th century) of two conjoined figures with ornate headdresses and jewelry stands in a corner against neutral walls beneath a visible ceiling light.
  • An Antique Burmese Teak Monastic Attendant or Guardian Angel c. 19th Century stands upright on a black base near a white wall and wooden floor, its weathered finish and intricate carving hinting at its origins from a larger Buddhist sculpture.
  • A close-up of antique Burmese teak monastic attendants (19th c.) reveals intricate robe carvings and hands at their sides; the weathered wood hints at age as these Buddhist figures stand on a wooden floor against a plain backdrop.
  • A close-up of an Antique Burmese Teak Monastic Attendant or Guardian Angel (c. 19th Century), featuring weathered wood, painted black accents, visible cracks, and nails—an exceptional example of Burmese craftsmanship. Brand: Unknown.
  • Antique Burmese teak monastic attendant (19th c.): a weathered wooden guardian angel with a cracked face, dark painted eyes, pressed hands, detailed carvings, and decorative studs. Brand: Unknown.
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None and/or Unknown

Antique Burmese Teak Monastic Attendants or Guardian Angels c. 19th Century

Antique Burmese Teak Monastic Attendants or Guardian Angels c. 19th Century

Carefully selected for its quality, character, and lasting appeal.

$5,000.00 USD
$0.00 USD $5,000.00 USD
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These carved teak figures from 19th-century Burma represent Monastic Attendants or Guardian Angels, traditional figures often found in religious and ceremonial settings. Carved from a single piece of wood, these two statues showcase detailed carvings of draped robes and intricate facial expressions, which add to their profound spiritual presence. They stand in a graceful pose with hands clasped together in prayer, a posture symbolic of reverence and devotion.

The figures exhibit signs of age, with the natural wear and surface cracks adding character to their already expressive form. The aging and patina on the wood give these statues a deep, historical authenticity. Their symbolic nature, combined with their rustic beauty, makes them an excellent representation of the Buddhist religious culture. These figures are said to have originally guarded sacred spaces or served as guardians for religious shrines.

While these statues display natural imperfections, such as wood splitting and slight losses to the original pigment, they remain in good condition considering their age and original use. The visible wear on their surface only enhances their historical charm, offering a glimpse into the culture and craftsmanship of 19th-century Burmese artisans. 82h x 13w x 13d

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